The Wisconsin Regional Writer
Volume 56, Number 1        Spring 2007

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Florence Lindemann's Humor Contest
by Lorraine Hawkinson, WRWA Historian

For almost 30 years, WRWA's annual Florence Lindemann humor contest has been held to award writers for excellence in humor writing. Each year cash prizes are given for first, second, and third-place winners; and, for years, a traveling butterfly trophy was given to the top winner. Where the traveling butterfly is at the present time is unknown. Perhaps it flew away!

The award came to be following the death of Florence Lindemann on January 5, 1979, in Milwaukee. The ByLiners of Milwaukee decided to honor their member, Florence, with this memorial to her. Before her death, she had indicated the need for a separate humor contest to be held for WRWA members. Funds were made available for the prize awards and the first contest to honor her memory was held that year.

Florence's family joined the memorial project by providing the traveling butterfly trophy. The colorful metal butterfly sculpture symbolized the family's penchant for butterflies and the butterfly pins they wore to symbolize the Christian belief of the resurrection to eternal life. Some thought this trophy was a beautiful work of art, while others had other viewpoints. The base of the piece was made of eucalyptus wood and had a metal plate where the names of up to 30 winners could be engraved. We would have two years to go if the trophy hadn't been lost somehow.

Florence Lindemann was a widely published freelance writer. She was instrumental in promoting a wide variety of writing projects in Wisconsin. She was past president of the National League of American Pen Women, a regional vice president of the Wisconsin Fellowship of Poets, a member of the WRWA Board of Directors, and editor of the WRWA newsletter.

Lindemann was also a member of Wisconsin Press Women, the national Federation of Press Women, Women in Communication, and the ByLiners of Milwaukee. She won many awards for her writing and was published in many markets including the Milwaukee Journal, Milwaukee Sentinel, Christian Science Monitor, Reader's Digest, Lutheran Digest, and the Milwaukee Lutheran.

WRWA newsletters of 1979 and 1984 include statements made by the judges of the Lindemann contests from those years.

Judge Alex Thien of the Milwaukee Sentinel had this to say. “Many of the writers wrote pieces that were too long for what they were trying to say. Every piece submitted should have been tightened up; and heavy wordage slowed the flow of the story. (But) it was a good contest, highly subjective from the judge's point of view.”

Judge Genevieve Turk, humor writer and teacher had this to say. "Many of the entries were essays (personal opinion) rather than articles that told the story. For a humor article, something has to happen; a story has to unfold and reach a conclusion, and all with some wit and humor.” She, too, stated that there was too much verbiage and repetition in the submissions. “Cluttering the article with too many words and detail adds nothing to the story, slows down the action, and squeezes out the humor.” Turk's formula for humor is, “Hook ‘em (capture their interests in the lead paragraph), say it, and get out.” A fine lead and concrete wrap-up are essential, she stressed.

Twenty-eight years later, the formula for good humor hasn't changed, and the contest that honors Florence Lindemann's memory continues. A judge been named and funds have been secured for the prizes. But the truant butterfly trophy can only be offered in memory. Does anyone know the whereabouts of our butterfly?

Just the FAQs by J.R. Turner
Q: What is the best way to show, not tell, back story? Through monologues? Flashbacks?

A: There is no right or wrong answer that works for every author or every story. In general, we’re seeing less of the direct flashback, where a scene from the character’s history is related in detail. Sometimes this scene is italicized, but it is always separated from the body of work in some fashion. This is generally frowned upon because it brings the momentum of the plot to a complete halt. Masterfully done, as in all writing, however, it will of course not earn you any frowns.

Back story is a wonderful tool to engage an element of mystery and as such can be hinted at throughout preceding text until an exciting and climatic revelation. The reader becomes not only interested in the external plot, but also curious about the character’s past. As with any mystery, you can lead the reader to believe something close to the truth, or completely opposite. However the back story is managed, it should be used to speak volumes about the characters and their ongoing struggle with the external plot.

When the need to dish that back story does finally arise, don’t be misled by the rule of “show, don’t tell.” Information dumping is always a pitfall, but with some study, patience, and control, it can be done well by anyone. If you find the reveal is slowing the story down, or the monologue becomes too bulky, you may want to rethink the preceding text. Small bits of information, shared and shown previously, will allow the moment to fully shine on very little. A conversation, interspersed with visual memories, revealing the mystery, is truly showing, not telling. Telling is when the author speaks directly to the reader about the character.

However you choose to share the back story, remember always to keep it exciting and emotionally powerful for yourself and the reader. If the moment is bogged down by needless information or details not directly related to the external plot or internal arc of the character, it likely doesn’t need to exist in this work.

Have a question for award winning author J.R. Turner? Send an email, subject heading: Just the FAQs, to
or snail mail J.R. Turner at 3135 Bush St. Stevens Point, WI 54481

We’d love to hear from you!


 

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